Georgeous Bridal Photos on the 95th Floor of the Signature Room I Chicago Wedding Photographer

wedding photography at the signature room john hanock photo

I recently had the opportunity to photograph a gorgeous bridal shoot on the 95th Floor of the Signature Room located in the John Hancock building on Michigan Ave. Model, Lisa Dillon, wore beautiful and elegant designer wedding gowns as she twirled in front of the jaw dropping views of the city.  I couldn’t have captured these photos without an amazing team.

Here’s a bts video from the bridal shoot at the Signature Room showing what’s involved in creating images like this.

Video: Ben Mahoney Productions

 

The Signature Room at the 95th

Photo: Emily Gualdoni
Makeup: Traci Fine / Fine Makeup Art
Hair: Robyn Tornabeni
Stylist: Caroline Shaw
Gowns: Dimitra’s Bridal Chicago on Rush Street
Model:Lisa Dillon with Stewart talent
Gowns:
Silk white ball gown (with the pouty veiling) Edgardo Bonilla  http://www.edgardobonilla.com
3-piece lace butterfly – Yoaln Cris    http://www.yolancris.com

Vintage feel all lace with deep v-back –  Ersa Atelier   http://www.ersaatelier.com

Strapless with asymmetric beaded detail – Rafael Cennamo http://www.rafaelcennamo.net/index.php

 

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Beautiful Bridal Shoot at the Palmer House | Chicago Wedding Photographer

chicago wedding photography palmer house photo

Bridal Editorials and Bridal Fashion play a huge role in both the wedding and photography industry. Here in Chicago there is a strong bridal culture, and therefore Chicago Bridal Photography is always breaking barriers and capturing the most pure and wonderful essence of beauty. With a superstar team, we shot both in my studio and at the Palmer House here in downtown Chicago. Back in the studio, I played with several different lighting arrangements before I found what I liked. Wedding dresses, being so light in color, offer so many opportunities for lighting. When you get to do a bridal fashion shoot, you really get to play with this more than you would during an actual wedding. Here I have full control over the light, opposed to being out and about and trying not to interfere with the couple’s event. I even incorporated a few props like feathers to frame the model and soften the image in a slightly mysterious way. Over at the Palmer House, we shot in several rooms throughout the hotel. Each setting worked to set the scene like something straight out of a Bride-to-be’s dream. We got to use a suite for all of our prep. We transformed it into a studio complete with a full line of dresses and a makeup station to rival the one in my studio. The dresses came from several different places; Ersa Athelier, Egardo Bonilla, Rafael Cennamo, Dimitra’s Bridal, and Stephen Yearick. Some of them were fresh off the runway, and we were the first people who had the chance to work with them.

The model that day was Lindsey Kane, a Ford model. The whole team was a collection of pure talent, and we came together like a well oiled machine. It was a pleasure to work with everyone, and due to our chemistry we were able to successfully channel all of the beauty and glamor that the Palmer House itself is famously expressing.

Team:

Photos:

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